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    Mathew B. Brady

    Birth: 1823

    Death: 1-15-1896

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Biography

Well-known 19th-century American photographer who was celebrated for his portraits of politicians and his photographs of the American Civil War. After training with the artist William Page and the artist and inventor Samuel F.B. Morse, Brady began to make daguerreotype cases and frames and then opened his first daguerreotype studio in New York City in 1844, a second in Washington, D.C., four years later, and a third, larger gallery also in New York, in 1852. At the outbreak of the American Civil War in 1861, Brady decided to make a complete record of that conflict. He hired a staff of about 20 photographers and dispatched them throughout the war zones. Since Brady refused to give individual credit to photographers, a number of them left his employ. Brady’s main activities in the endeavor involved organizing and supervising the operation of his employees and studios; he himself probably photographed only occasionally on such battlefields as Bull Run, Antietam, and Gettysburg. The Civil War project ruined Brady financially. He had invested $100,000 in it and had bought supplies on credit, confident that the government would buy his photographs after the war ended. The government, however, showed no interest. The financial panic of 1873 forced him to sell his New York studio and declare bankruptcy. He was unable to pay the storage bill for his negatives, which the War Department finally bought at public auction for $2,840. Through the efforts of his friends in government, Brady was finally granted $25,000 by Congress in 1875, but he never regained financial solvency and died alone and virtually forgotten in a hospital charity ward.

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Biography: 
Well-known 19th-century American photographer who was celebrated for his portraits of politicians and his photographs of the American Civil War. After training with the artist William Page and the artist and inventor Samuel F.B. Morse, Brady began to make daguerreotype cases and frames and then opened his first daguerreotype studio in New York City in 1844, a second in Washington, D.C., four years later, and a third, larger gallery also in New York, in 1852. At the outbreak of the American Civil War in 1861, Brady decided to make a complete record of that conflict. He hired a staff of about 20 photographers and dispatched them throughout the war zones. Since Brady refused to give individual credit to photographers, a number of them left his employ. Brady’s main activities in the endeavor involved organizing and supervising the operation of his employees and studios; he himself probably photographed only occasionally on such battlefields as Bull Run, Antietam, and Gettysburg. The Civil War project ruined Brady financially. He had invested $100,000 in it and had bought supplies on credit, confident that the government would buy his photographs after the war ended. The government, however, showed no interest. The financial panic of 1873 forced him to sell his New York studio and declare bankruptcy. He was unable to pay the storage bill for his negatives, which the War Department finally bought at public auction for $2,840. Through the efforts of his friends in government, Brady was finally granted $25,000 by Congress in 1875, but he never regained financial solvency and died alone and virtually forgotten in a hospital charity ward.
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Friday, February 21, 2014 - 12:45
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Friday, February 21, 2014 - 12:45